The Dragon's Talon

This week, I think I will not have a writing exercise up .  As an apology, I offer you an older story; this is actually a prologue of sorts to a D&D campaign that was originally started in second edition and later played for a time in fourth edition.  I confess that it is fantasy, my default ‘go to’ genre, but I hope it serves as an example of my style which is not so formal as A Prince of Shadows, nor trying to be self-contained when it clearly is not.

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This is a response to a blog post on Gamasutra by a man named Steve Mallory, a designer I know through the ‘net who makes some good points about narrative design; read the original post here…

True authorial control… Now there is a scary phrase to use in front of your producer…

True authorial control is taking your player and asking them what they want to do today, rather than telling them what they are allowed to do.  Is that wise? (continue reading…)

Recently, I was lucky enough to win a Google Wave invitation through a contest aimed at getting Dungeon Masters running D&D 4e games over Google Wave, pitching a game called ‘The Breath of Heroes’.  The idea is not a new one, I had already seen an article on Gameplaywright called Playing on a Wave about using Google Wave for games using the Gumshoe system, but I always find that I can get my head around things more easily by getting hands-on with them; I suspect it is a result of my engineering degree.

One of my other ideas about the Wave system was that games companies end up with a fair number of living ‘bible’ documents (story bibles, art bibles, game bibles, style guides, the GDD)  and the collaborative real-time nature of Google Wave, together with the playback option, might make it easier for teams to work concurrently on these documents without endlessly stepping on each other’s toes.  After the acclimatisation phase, which would probably be about as damaging to productivity as the day Microsoft added solitaire to Windows, I wondered if it might usher in a new era of interactive working.

Well, I have been experimenting for a few days and I have to say that I am optimistic, but still unsure of the whole thing.  I have been toying with it in short bursts, having injured myself during the week, but I can see some potential there.  In the coming weeks, I hope to gain more insight and report on my successes and failures.  Until then, back on the painkillers.

For those of you on Wave, I am available at elaquine@googlewave.com and open to any advice or tips you may have.

Join me next time for Part 2

In many ways, I suppose D&D represents the ‘mass-market’ face of tabletop roleplaying.  It was the first big hit, the one that started the ball rolling, so it always got the benefit of the doubt.  It was also good at adapting to its audience.

At first, it was a dungeon crawling Lord of the Rings game; it was (well, inspired really) the EssexMUD of its day.  Soon it opened up to let you play around a little more with who you were and the world you played in.  AD&D came out, adding more rules and letting you tweak your character even more; we are either looking at the Meridian 59 or perhaps even Ultima Online level here.

Once it hit Third Edition and later 3.5, D&D went from a geeky pastime to mainstream.  Many complained that it was dumbed down (look, thAC0 had its place, but I for one will not weep for it) and you could say that legitimately, but it would be more accurate to say that it was simplified.  At last, D&D had reached its Everquest stage – it was mass-market, it was no longer a niche geeky thing to do, people played it who were not ready to call themselves roleplayers.  It was smooth, it was accessible and the core mechanics were abstract enough that it could challenge GURPS as a generic ‘base’ system.

And then there was Fourth Edition…  For decades, MMORPGs had borrowed from D&D and then the Fourth Edition seemed to take its tithe from them all.  Everything is there, it makes sense and you can almost put the tables away.  As a dungeon master, I can read off some tables and then leave the books to one side.  This is the World of Warcraft of the tabletop scene.  There is no more Vancian spellcasting or thAC0.  There are no long lists of spells to pick from each day or different systems for every player’s basic attacks.  This is as close as a tabletop game will ever get to World of Warcraft.

But I leave it to you to decide if this is a good or a bad thing; some people like a little complexity, some people don’t, so find your own truth…

Last week, we continued learning about archaic speech. It was another very patronising lesson, but you just keep coming back…

This week, we will learn a little about insults, so let’s put a nice safe break in. Only continue reading if you are sure that you want to…

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Last week, we started learning about archaic speech. It was a very patronising lesson, but you seem to have come back…

Today, we will learn about oaths and curses. We will touch on religion, some slightly vulgar words and imagery that might border on violence involving sexual acts and anatomical impossibilities.

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Inspired by my post about playing female characters online, I got thinking about gender roles in RPGs. I don’t believe in women’s things and men’s things, but there is a tendency for people to drift toward certain stereotypes. You probably don’t think about it when you are actually playing a game, but CRPGs do give us stereotypes. Arch-mages are men with beards, clerics are dour men and dwarves if they are NPCs and women if they are PCs. Fighters are men or else women trying to prove themselves better than men, rogues are slimy men or halflings who think they are cassanova.

I played a woman in some MMOs and people used to give me stuff, both in my guild and in pick-up groups. It was never overtly ‘have this because you are a girl’, but I saw so many examples of ‘I don’t really need this, so you might as well have it’ when I was playing a female character and never saw it with male ones. Do people think that a female rogue is more in danger of having substandard equipment?

Playing Bioware’s Neverwinter Nights, the original storyline has two love interests; one is male and one is female. The female interest seemed very much an equal, but very emotional (especially for a paladin) and conflicted. The male interest was stoic and protective, resolute in spite of his troubled past.

I suppose you play to your market. Given the things I have done, the evils to my gender, while working on a game for girls, I cannot really hold it against them. When your market is projected to be mostly men and boys, you play up the wish fulfilment. When (like World of Warcraft) you reach close to equal numbers, you make sure that the genders both get some heroes and heroines.

So you want to try some archaic speech in your roleplaying, be it MMOs or tabletop games? I will try to offer some help over the course of this series of articles which might help.

First of all, ask yourself if it is really a good idea. If you are playing a barbarian, you only really need to yell ‘Krom!’ a few times. On the other hand, done well with a character who justifies it, it can be a great idea. Think of Shakespeare; Romeo spoke in couplets, Hamlet too, but they had style and class. Dogberry, in contrast, was not the ‘thee’ and ‘thou’ type.

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I am a man. I can’t say that I have ever really wanted to change that. It is not like I have ever gone out in women’s clothing, I have only ever passed myself off as a woman once online, but… people look at me funny when I say that I often play women in games and I am not talking Tomb Raider or Bloodrayne.

My initial reason for this was simply ugly male models in MMOs. Oh, and the fact that I experimented in the bazaar in Everquest and noticed that my female toon tended to make more money than my male one.

I never really ‘played’ a female character in Everquest, so it was D&D Online where I first toyed with joining the distaff side. The male elves looked kind of indistinct and naff, like wiry old men rather than long-lived graceful creatures. The female ones looked a little bit busty, but I put that down to Lara Croft syndrome.

For the first three levels or so, all was fine. Even my female guild-mates accepted me as a female character, but it never got strange. As the guild started to fall apart, I ended up with pick-up groups. Oh dear… Misogynists and idiots abound in any MMORPG, but they seem attracted to pick-up groups. I think anyone playing a female toon who didn’t take off their armour and dance was assumed to be a real woman, to the point where even my protestations were assumed to be playing hard-to-get. In the end, that was what killed the game for me.

But why? Why do people assume that men never play women, even to the point of flirting and inappropriate emotes? Roleplaying is all about being something you’re not, right? I mean, I am not an elf or any good at spoting and disarming potentially-dealy traps either, but people can cope with that particular issue.

I suppose the issue is that people expect you to stick to those truths that you can manage. In D&D stats, we are all level 0 commoners or maybe (in certain cases) level 1 experts with lots of ranks in profession and craft. (some of us could stat ourselves in systems like Shadowrun, but that is another article) Since they offer multiple races in most games, people won’t ever assume that an elf is played by a 120 year-old perpetually-young aesthete, but gender… gender is inviolate…

Why?

Now here is a game that got me excited. It is not because it was D&D 3.5, because I think that there are better systems out there, nor even because I am a fan of Ebberron, even if I am one of the few people to remember Keith Baker’s hushed-up forays into PC gaming.

No, what got me was the feeling that everyone served a purpose and every class was true to its roots. You don’t get much more true to D&D than using the system. I played a rogue and I was suddenly not just a DPS-machine. I would see the odd idiot (Barbarian 9 times out of ten) who would declare that they had enough hit-points to ignore the traps instead of waiting the three or four seconds it took for me to disarm them, but then things like opening a door that nobody had ever seen a rogue manage before made up for it.

What killed it for me, of course, was the same thing that had made it so great; the game was balanced for groups. The same mechanic that made me useful also meant that I was nothing without at least a tank and a healer. I started out, back in beta, playing with my wife. After release, I quickly found a guild and specialised as just about the best trap-springer door-opener I could be. Life was great, but that post-beta honeymoon will always end. The guild started to fragment as people’s enthusiasm waned. I would log in some days and see no guild-mates on. One day, the guild was gone.

For a while, there were pick-up groups. I would get the odd ‘rouges suk! lol’ from people who thought that another barbarian was better than inviting a rogue, but there was enough call for me. I died a little more than average, since I was specced for rogue skills more than combat and PUG clerics don’t tend to think of healing the rogue while there is a tank to dump spells into.

I was spoilt as a D&D player, I suppose, by people who could spell ‘rogue’ and understood waiting for them to disarm traps rather than setting them off and killing everyone. The frustration became too much to bear and I left.

One day, I might go back. I think I would have to take a group with me rather than relying on strangers, but I want so badly to go back. It was everything I wanted from an MMO, D&D for the internet. I suppose I have Neverwinter Nights for that…